![]() ![]() If you want to just get some extra money and some stage and chorus experience, then look at regional companies. Besides, if you send in a recording now to the Met, and your voice isn't ready for a professional solo career, then it's very probable that the Met folks will think that it's not ready for a Met chorus career. I think if you don't really want either of these jobs right now, then don't audition for them. Though the Met pays more, both of these jobs are highly competitive. It's one thing for a voice teacher to say that to encourage a student, however I think it's a dangerous proposition vocally for young singers. ![]() Many have studied and performed abroad and take vocal coaching, still. They may fence, dance, have a lot of acting training. You will be up against people that speak multiple languages, have graduate degrees in voice. It's ridiculously hard to make the chorus at the Met. You can develop vocal problems easily singing full out every night. And you don't necessarily get to sing one night, then take a night off like soloists do. It's not unusual for the chorus to be on site and on call from 10 AM to midnight. The rehearsal schedule is pretty grueling. ![]() The Met is a whopping 220 per season, as opposed to 80 for CLO. The difference here is the amount of performances. but along the way decided that they wanted a stable life or a family.Ĭhicago Lyric is between $30,000-$40,000 and the Met is $80,000 and $115,000 per year. Most people that sing in the chorus, started out with aspirations of solo careers. ![]() how old are you? If you are a young singer, it's a bad idea, vocally. ![]()
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